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太行山“背篓哥”：36年无偿跑腿只为那一份托付_我的网站

冬季恋歌

一 | 　　有人干副业是为了增加收入，但你见过一份副业干了几十年却一分钱不赚的吗?在太行山深处，就有这样一位电力工人——他帮乡亲们跑腿捎货，一干就是36年，分文不取。

二 | 　　他叫邢海明，是国网灵寿县供电公司南营服务站的员工，也是“中国好人榜”上的平凡英雄。

Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions.
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers.
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions.
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times.
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024.
At the industry's peak, he moved seamlessly between sets.
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path.
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot.
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
Yin Jiaxuan Photo: Courtesy of Yin Jiaxuan

Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day.
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025.
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism.
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said.
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment.
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said.
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself.
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
。新一期由中央广播电视总台音频客户端云听打造的《人间温暖》系列节目之短视频《追光纪》，带我们一起走近这位“背篓电工”，倾听一段关于坚守与牵挂的暖心故事。太行山“背篓哥”：36年无偿跑腿只为那一份托付

　　△助人为乐中国好人、国网灵寿县供电公司南营服务站员工邢海明　　邢海明的家在河北省灵寿县木佛塔村，他是十里八村都熟悉的电工师傅，日常负责本村及下辖9个自然庄的用电安全、日常巡线、设备抢修等工作。村落位于太行深山，一条被当地人称为“七十二拐”的盘山道是通往外界的唯一纽带。村民们走路下山去一趟集镇，通常要一个半小时。太行山“背篓哥”：36年无偿跑腿只为那一份托付

　　这里的年轻人长年在外打工，留守村中的多是一些腿脚不便的老人。日常采买、取药取物，这些看似平常的小事，对老人们来说，却成了实实在在的难处。邢海明把这些看在眼里，自1990年参加工作起，就主动把乡亲们的“难事”装进了自己的背篓——这一背，就是36年。山高路陡，挡不住他往返的脚步;村子寂寥，他就用一篓一篓的物资，托起整座山村的琐碎期盼。　　乡亲们托付邢海明捎带的东西五花八门，轻的有油盐酱醋、卫生纸等生活杂货，重的甚至有修缮房屋的水泥、沙土等等。每天上午上班前，邢海明会把村里老人要卖的核桃、鸡蛋等山货捎到山下换成钱，再跑药店、进超市、取快递……背篓装得满满当当。下班后，他再载着物资上山，挨家挨户送进门。

三 | “下单、采购、装篓、配送”，一整套流程行云流水。为了方便全村老人，邢海明的手机24小时不关机，他还帮老人们把自己的号码设成一键拨号——有呼必应，随叫随到。太行山“背篓哥”：36年无偿跑腿只为那一份托付　　日子久了，大家对他的信赖早已超出了邻里情分——甚至有人把社保卡密码告诉他，放心让他帮忙下山取钱。为了不辜负这份沉甸甸的信任，邢海明用的背篓都是自己亲手编的，“买的不结实，不用这个背篓背，会弄坏了。给乡亲们办事，必须得谨慎。

四 | ” 　　36年来，邢海明在盘山路上累计行程近40万公里，先后骑坏两辆摩托车、两辆机动三轮车，他自编的背篓更是用坏了16个。

五 | 而这条山路的艰险，邢海明比谁都清楚——“七十二拐”本就难行，万一遇上冬日大雪、夏季暴雨，路面泥泞湿滑，危险时刻相伴。最惊险的一次，他在弯道上连人带车摔了出去，肋骨折了一根，疼了20多天。

六 | 但邢海明没有动摇过，“一想到村里的老人还在家等着，这点苦不算啥。能给他们做点事，心里觉得值。” 太行山“背篓哥”：36年无偿跑腿只为那一份托付　　几十年无偿给乡亲们跑腿办事，家里人一开始也有怨言——“因为耽误了家里的活儿”。但随着时间长了，家人也慢慢理解了他的用心。邢海明说：“家里干不了的活，全凭我媳妇了。

七 | 没有家人的支持，这个事儿我也不好往下干。”妻子从最初的不解到后来的默默支持——这份善意，从来不只是一个人的奔走。　　今年57岁的邢海明，再有四年就要退休了。可他心里还盘算着，只要腿脚还利索，这背篓就不打算放下。他也盼着能有年轻人接过来，替他继续往山上跑——山里的老人们，总得有人惦记着。　　36年，背坏16个背篓，行程近40万公里。