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Bollywood and The Middle East: A Growing Connection_我的网站

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一 |     Bollywood’s bond with the Middle East is entering an interesting and dynamic new phase. With a rapidly growing South Asian population, a thriving expatriate community, the region has evolved into one of the most emotionally invested international markets for Indian entertainment. Today, Hindi films consistently see some of their strongest overseas theatre turnouts across GCC countries, and streaming platforms report exceptionally high engagement for Indian content, from drama and romance to action and biopics.What was once simply a commercially promising territory has now transformed into an important cultural ally. From theatre turnouts and record-breaking weekend collections to booming streaming figures and celebrity-led brand endorsements, the cultural exchange between the two regions is stronger than ever.          For years, icons like Shah Rukh Khan, Salman Khan and Ajay Devgn have been central to this connection. But in the newer generation of stars, one name drawing noticeable attention is Sidharth Malhotra, an actor whose steady filmography, strong performances in films, and wide musical popularity have built him a passionate fan base. From Shershaah and Kapoor & Sons to Ek Villain, Mission Majnu, Marjaavan, and most recently Param Sundari, his journey from an outsider to a leading man has resonated strongly with audiences who admire talent, discipline and humility.Over the past few years, Sidharth’s popularity in the UAE has expanded beyond cinema. His visibility across brand campaigns, social media traction, and public interest indicators shows a star whose appeal aligns seamlessly with the region’s evolving entertainment sensibilities. His recent exclusive partnership with a leading agency for the GCC region further cements this rise, signalling that his resonance is not only powerful but also commercially significant.As Bollywood continues to travel beyond borders, the Middle East is no longer just another overseas market, it is becoming a powerful extension of fandom and identity. The stars finding deep resonance here represent more than popularity; they mark the beginning of a new chapter in how Indian cinema speaks to the world and how global audiences choose their heroes.Also Read: Delhi Blast: Thalapathy Vijay, Sidharth Malhotra and Other Celebs React to The Tragic Incident。    

【环球时报驻韩国特约记者 张静 环球时报特约记者 甄翔】近日,近300名被欧美人士收养的韩国“弃儿”发起了一场求真相请愿行动。

二 | 美联社13日报道称,一家名为“丹麦韩裔权益团体”的机构代表283名被欧美人士收养的韩国“弃儿”向韩国总统尹锡悦致函请愿,要求韩方调查当年收养程序是否存在违规作假问题。

三 | 这些“弃儿”大部分被丹麦人收养,也有部分人被美国以及荷兰、比利时等欧洲其他国家人收养。一名康姓女子的遭遇颇有代表性。康姓女子对媒体表示,她于1976年被丹麦人收养,40年来她一直以为自己是孤儿,直至2016年她才得知自己的亲生父亲还活着,当年有关机构为走收养程序,伪造了她是釜山孤儿院孤儿的一系列材料。联名呼吁韩方调查的许多韩国被收养人都表示,自己的收养手续涉嫌造假,导致他们无法寻找自己的亲生父母,也再次受到心理伤害。韩国《国民日报》报道称,过去60年来该国共有约20万儿童被海外人士收养。上世纪七八十年代,欧美国家人士收养韩裔儿童达到高潮。当时的韩国军政府将海外人士收养作为减少人口压力的好办法,同时还能解决女性未婚生育带来的社会问题,并改善同西方社会的关系。为此还专门制定鼓励外国人收养的法律,允许私人机构参与,从而导致收养程序不严谨和材料作假问题。

四 | 为此,韩国政府于2020年12月成立“真相与和解委员会”,调查上世纪60至80年代军政府统治时期的违反人权问题。“丹麦韩裔权益团体”方面表示,他们已访问“真相与和解委员会”,并提交了进一步的调查申请。如果开始调查,预计将对韩国“儿童出口狂潮”期间的侵犯人权行为进行广泛调查。

五 | 该组织还表示,收养机构在收养过程中存在胁迫、贿赂、伪造文件等行为,担心这些机构因害怕真相被揭露而销毁原始收养记录和文件。

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Published on:14:32:42


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